Abstract The roundtable will summarize and report on the Works for Works (W4W) transdisciplinary research project (2019-2023) and the subsequent emergence of the Edition of One (EO1) project, an international (borderless) literary agency for collectively produced works of literary-artistic scholarship. In terms of the “voice of works,” issues associated with both projects will be utilized to suggest that the elective abolition of intellectual property rights (IPR) is the ultimate protest against both censorship and the commodification of works. This analytic, in particular, will draw upon Kierkegaard’s dance with the role of polemic and its antithesis – “silence” (scare quotes required) via the competent “dead and transfigured personality.” The summary of the W4W project notably includes: collectively produced works of literary-artistic scholarship; a PhD dissertation; and two open-access monographs, Works for Works, Book 1: Useless Beauty (2022) and Works for Works, Book 2: “No Rights” (2026). The focus on works-based agency and the voice of works is, as developed performatively, the justification for the “No Rights” idiom, an idiom subsequently transcribed to “No Rights” in the EO1 agenda to indicate that the renunciation of authorial privileges does not mean that those rights may be subsumed by others, but, instead, open onto higher rights long hidden in the 500-600-year history of intellectual property rights and copyright. The presentation will utilize radical diagrammatics and lexical/linguistic markers (mathemes) to chart a path out of the auspices of the debauched contemporary, post-capitalist commons for authors and works toward a renewal/renaissance of the concept of the common good.